Think Tanks 2025
Saturday, June 14, 2025
So Me, So NOT Me
Social Media (So Me) seems to be an essential part of the artists toolkit. Concerns have been raised regarding the significant recent content moderation policy changes that allow users of Facebook and Instagram to say that being, or identifying as, lgbtqi+ is a mental illness. In the light of the general pally-ness between tech-bros and the Trump administration do we need to consider alternatives to the platforms we have become familiar with? What do we do when social media doesn’t reflect our moral codes?
Hosted by Stuart Mayes (Glitter Ball showroom & projects)
10.00-11.00
Location: Cantina
Soft City: Artist-Run Interventions in City Redevelopment Projects
Soft City is a research project exploring the potential impact of art on urban redevelopment projects. The project connects artists, architects, and artist-run spaces in Aarhus and Gdansk who are working in the two cities' harbour districts.
This Think Tank invites reflection on the role of the artist-run in city planning. How can artists challenge politicians and real estate developers to think differently about how cities can look, feel, and function?
Hosted by Pam Grombacher (Aarhus Billedkunstcenter)
10.00-11.00
Meeting point: Godsbanen foyer, info booth
Imagining Kashmir: Creative dialogues across borders
Malt AIR artist-in-residence Sidra Khawaja introduces Kashmir Creatives Collective, a Kashmiri-driven, not for profit, independent group of creatives focusing on humanizing Kashmir through artistic and cultural traditions of the state. Following her introduction Sidra will lead an interactive ideation activity that aims to build visibility, solidarity and momentum for the collective while inviting fellow members to co-imagine pathways for exchange, collaboration, and amplification on a broader scale.
Hosted by Sidra Khawaja (Kashmir Creatives Collective)
11.00-12.00
Location: Cantina
Hello the Edges
We want to discuss what it’s like to be an artist not at the centre of things and not caring.
We like the idea of art that you can tell where it comes from. Not that it should be a particular type of art, but that the aggregate of the artists working in a locality defines that area's visual identity.
We want to discuss what it could mean to be part of North Sea renaissance, thinking of the sea not as a barrier but a transnational gyre. The sea could link communities of artists reflecting our shared cultural roots and our shared challenges around the impacts of climate change on our coasts, population shifts and growth, industrialisation of rural areas through new forms of power generation. Our land will be unrecognisable in 20 years and we need to go into that transformation with our eyes open, with artists shaping and documenting that change.
Hosted by Ben Coode-Adams (Blackwater Polytechnic)
11.00-12.00
Meeting point: Godsbanen foyer, info booth
Samtidskunsten som lobbyist! (in Danish)
Hvad skal der til for at samtidskunsten får vi hul igennem til relevante politikere som kan bakke op om vores engagement? Hvordan fungerer lobbyisme og hvad kan det gøre for samtidskunstnere og de kunstnerstyrede udstillingssteder? Skal vi lobby alle mod alle eller finde fællesnævnere, som vi sammen kæmper for?
Oplægget tager afsæt i erfaringer med at gøre udvalgte politiker interesserede i samtidskunsten og den forskel scenen gør for en by som Aarhus. Oplæg ved Jette Gejl afløst af diskussioner om behov og strategi for samtidskunstscenen i Aarhus.
Jette Gejl (KH7 Artspace)
11.00-12.00
Mødested: Godsbanen foyer, info booth
Sunday, June 15, 2025
Preconceptions of Neurodifference in the art world
There is no doubt that my Autism has affected my creative life and career for good and evil. I want to discuss the impacts of neuro-difference on people’s creative lives, for example, when superpowers turn into self-sabotage, notions of outsider art and savantism. I want to hear how other countries and cultures deal with neuro-difference, and I’d like to begin to produce some initiatives that could improve the art world and outcomes for people with neuro-difference. No diagnosis needed. No shade over language; use the language and terms you are comfortable with.
Hosted by Ben Coode-Adams (Blackwater Polytechnic)
10.00-11.00
Location: Cantina
This Thing We Call Art
This Thing We Call Art is an online resource containing interview excerpts from an international cohort of 70+ artists and art workers which detail the living and working conditions of contemporary artists. In this workshop, we’ll explore these excerpts together through writing and discussion. Please bring something to write with and to write on.
https://www.thisthingwecallart.com/
Hosted by Kelly Lloyd (This Thing We Call Art)
10.00-11.00
Meeting point: Godsbanen foyer, info booth
The Ecology of a Creative Residency
As we set up The Lacuna Studios creative residency on an ecologically regenerative olive grove, we are prompted to consider the oneness of humans and nature and to look at the necessary interconnectedness of systems and processes. It is increasingly apparent that the components of a sustainable and regenerative olive grove are strikingly similar to that of a sustainable and regenerative arts practice.
How can we take learning from the permaculture principles being applied in the grove and apply it to The Lacuna Studios creative residency and, perhaps more interestingly, vice versa?
Hosted by Sarah-Jane Mason (Lacuna Festivals)
11.00-12.00
Location: Cantina
Sustainable Self-Publishing
A Think Tank focused on environmentally sustainable practices in independent publishing. This informal gathering will be an occasion to exchange knowledge on eco-friendly materials, printing techniques, and distribution strategies. The goal is to start building a shared resource of tools, references, and suppliers in the Nordic and Baltic regions supporting artists and self-publishers in adopting more sustainable methods.
Hosted by Alberto Rossi (Take 10 Press)
11.00-12.00
Meeting point: Godsbanen foyer, info booth
The Exploded Art School
What happens if you designate a town, a city, or a region as an Art School, a place for creative learning?
What are the most radical and impactful ways artists can work to enable collaborative, place-responsive learning?
What does a truly collaborative local faculty look like for artists, students, partners and communities?
Hosted by Kaavous Clayton and Julia Devonshire (Blackwater Polytechnic)
11.00-12.00
Meeting point: Godsbanen foyer, info booth